First: update the upcoming!
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Rabbit Moon
I’ve been messing around with writing songs for a while but I rarely get around to performing them, much less recording them. There are a whole lot of reasons for that, self-doubt being one particularly nasty daemon I contend with.
I was very lucky to get a little help from the Toronto Arts Council back in 2014 to record this demo of a song I call Rabbit Moon.
Daniel Janke produced it for me, plays organ, and sings backup vocals with me. I am the singer and play baritone ukulele.
Bram Gielen plays upright bass, Jimmey Griffin plays pedal steel guitar and Jean Martin both engineered and played percussion.
Daniel divides his time between Montreal and Whitehorse and we basically have taken a bit of time with the mix…
The less I say about the song the better perhaps, but let’s just say I felt I was at a crossroads in my life when I wrote it.
Your opinions welcome. Click song title for SoundCloud.
I don’t wish to impugn
the integrity of the moon
but she led me astray.
Glides through the branches
cool and romanceless
and lights the way.
She stepped off the path
with a curious laugh
and turned night to day.
Glides through the branches
cool and romanceless
and lights the way.
The light that catches the silver spoon
breathes a life to the gathering gloom.
And I feel for the son and I feel for that father,
and I feel for the mother and I feel for the daughter,
and their hopes on a limb.
Water slides slowly,
I don’t hardly know me,
I’ve lost my notes
in the ivory towers
of the symbols of power
and illustrious quotes.
Cut with sword,
sweep with the broom,
do what you can
to banish the gloom
as the light hits the room,
dance with the motes.
And I hung a heart upon the wall,
I melted ice so none would fall,
I sent my words out on a wave,
I counseled my poor soul to be brave,
I tended vines,
I gathered dust,
I wiped the blade to spare it rust.
I’m Solomon’s scion,
whatever the bygone,
I’ll spare the babe
& accept the decision
‘tho my soul may be riven
and my heart’s a slave.
While justice sleeps
they shatter the peace
of an autumn’s eve.
Take what is given
what’s cloven and driven
And take your leave.
And I feel for the son and I feel for that father,
and I feel for the mother and I feel for the daughter,
and their hopes on a limb.
I don’t wish to impugn
the integrity of the moon
but she led me astray.
Glides through the branches
cool and romanceless
and lights the way.
Brenna MacCrimmon 2010
February Flew By
I’ve got a kind of groovy wall calendar this year – I picked it up on sale (of course) at MoMA in NYC in January. It’s from a company called Paper Hammer and is a letter-press looking jumble of days. Sometimes I glance at it in amazement and wonder.
This February seemed like a tumble of days, with a lot of quiet ones in there mixed together with some pretty amazing highlights. Sometimes it’s just a little too easy to let the slow gray days overshadow the bright and busy ones. I suppose we can all use the reminder that there is always something unique about every day, even if it seems hard to recognize.
So what *was* February like? It was full of meetings and quite a few birthday celebrations – not mine – others – but I seem to know a lot of Aquarians.
Have you ever walked into a social situation and met a couple of fabulous people from your past who you could NEVER predict would be there? I popped into the Canterbury Music Tri-Engineer Birthday fest which is sort of like wandering in a tableau of who’s who of Toronto in music – okay, that’s normal. But when I spotted my old friends Dave and Sandra…it was as if it were *my* birthday. We tried to figure out how long it had been – too long! There are a whole lot of unlikely connections and precious memories stirred up which would take pages to explain but let’s just say it was a delight and a surprise. And I almost didn’t go to that party. I was feeling sore and grumpy and it would have been soooooo much easier to stay in and binge watch Stephen Colbert on the internet, but in the end I was glad I went out. So, on those gray days when you feel nothing is going right, consider going out instead of staying in. Even us achy introverts need a little social time and it could be magic. Many and happy to Jeremy, Julian, David, and all the Canterbury crew – you create a great space for us to play in.
Turkwaz getting a Juno nomination was another lift. Plus we participated in a Sofar Sounds event on February 11th. These are basically secret concerts, the location is disclosed the night before and the attendees don’t know who they are going to hear until they get there. It’s a pretty interesting model. Our concert was hosted in a loft-y space behind the Dark Horse on Queen St E. It was a wintery day, great snowflakes fell mushily and slushily throughout the afternoon as we set up the sound and met the crew and our fellow musicians. We shared the evening with Emilie Mover and Chris Bartos, and Winnipeg’s Begonia. The cool thing about these concerts is that people come to really listen and to be surprised and introduced to something new -it adds a shade of adventure to the event. Sofar will be adding a song from the show to their video gallery in the weeks ahead.
Going to Folk Alliance International in Kansas City definitely helped me get some wind back into my sails. I’ve been to a number of conferences before, mostly to WOMEX in Europe. I was really curious about this particular edition – Billy Bragg was a keynote speaker for one thing – but I was heartened to hear that the conference directors were taking the word ‘international’ to heart and there were artists and distinguished folks from around the world showcasing and participating in the panels. Folk Alliance has long had a focus on traditional American music and singer/songwriters – nothing wrong with that! We could debate long and hard about what constitutes folk music but the fact is that the elements that make up the music of America and the Americas are pretty diverse and it helps every once in a while to recognize and celebrate that. There was so much great music but a few stand-out discoveries were Curly Strings from Estonia, Söndörgő from Hungary and Ramy Essam from Sweden (and Egypt). I hesitate to call Gweneth Herbert a singer/songwriter but I guess that’s what she is. Intelligent and thoughtful songs and the gal can really sing – wonderful! Authentic Light Orchestra (don’t let the name fool you) had a lovely, jazzy sound and featured another great vocalist Veronika Stalder, and Toronto friends Kobo Town were fantastically calypsian. Bruce Molsky as always made trad American deep and lively, I’d heard of Jonathan Byrd but had never seen him, now I get it – fantastic, Newberry & Vertch are a fantastic pairing of two masters… Great to see James Hill and Anne Janelle again (and meet their baby Alder) and finally hear Ben Caplan live, too. Nora Guthrie did a wonderful talk on Woody’s songs which got me thinking about trying to write songs again. Really there was so much I can’t begin list it all. The hotel room showcases are legendary and it takes a certain amount of mettle for us introverts to mosey around and take them in. Overall, fully worth it. And the icing on the cake was a set by one of my favourite troubadours out there, Steve Poltz, who as usual had us marveling about “just how does he do it?”, in this case ‘us’ being me and my accomplished singer-songwriter friend Eve Goldberg. It gave us so much to think about and be in awe of as we shuttled to the airport to fly back to Toronto.
I was too busy to take pictures most of the time but here’s a special one from the first night:
Another Aquarian birthday celebration with Nora Guthrie, Frederica Calvino Prina, Beppe Gambetta, Derek Andrews, Linda Turu, me and Michael Kleff. In case you can’t tell there are two creatures on the table, the bean bag rhino and his new friend Sigi. So that was three quarters of February – and there are still more days I didn’t enumerate. I was thinking that really I’d done nothing much this month but then when I stop and think about it….
If you’re feeling the mid-winter blues, if your days seem too gray and similar, take a minute to remind yourself about what’s different…And if you really can’t find anything – do it yourself! Turn a few numbers on their side or use green ink to make a list or take a ridiculous stuffed toy out to dinner!
In great company
Tuesday morning I went down to a club called Rebel in the Portlands area of Toronto with my band mate from Turkwaz, Maryem Tollar. The weather reports had been predicting freezing rain which hadn’t hit yet but it was blustery and cold when we crossed the parking lot and then
* poof *
bright lights and cameras and protocols.
A stark contrast from the grim, grey morning outside.
We spotted a few friends in the glare, sipped our tea and coffee, and tried to figure out what we ought to be doing by generally drifting around the room. At exactly 11am the music amped up, the screens came to life and this year’s Juno nominees were announced.
Yeah! Turkwaz was there, nominated in the World Music category. Maryem was so excited I think she nearly floated to the ceiling on her celebratory mimosa.
And what great company to find ourselves in. Also nominated were Lorraine Klaasen, Sultans of String, Okavango African Orchestra and Nomadica.* Actually, it’s more than just company, it’s a community of passionate explorers, blending traditions, keeping our pasts alive and making them relevant to the here and now. And to me it really doesn’t matter who wins, it’s the acknowledgement that the kind of music we do is valid and a vital part of the cultural fabric of our cities and our country. Not a lot of “world” music acts ever get to be household names in Canada, and we sure as heck aren’t doing it for the money. Many of us juggle other jobs and multiple bands to keep doing what we do. Why? Because we love it. I think the love shows.
Here’s to the all the World Music Juno Nominees!
LOVE Ya!
* Full disclosure: I got to be a guest artist on Nomadica’s Dance of the Infidels and Demetri Petsalakis of Nomadica graced our album right back!
Fall/Winter headlines
It’s been a busy few months. I had a great trip to Scotland, Amsterdam and Turkey in the fall– a trip that lasted over 5 weeks! – and was filled with stories and adventures and meeting and working and performing with wonderful artists and musicians. Ukulele activities made the winter holidays lively with our first grand meet-up on Toronto Island. January saw the start to a recording with pianist Bill Westcott, a trip to New York to revel at Golden Festival in Brooklyn with the wonderful Raya Brass Band and a jaunt to Montreal to record a couple of tunes with Montreal duo Ihtimanska. February has just started and I am looking forward to attending Folk Alliance in Kansas City – my first time at this conference – where I hope to see a few old friends and make some new connections. Turkwaz is gearing up for a busy summer, Zephyr is going to try something new and I’ve been very happy to work with more storytellers in my space.
Yup, lots to talk about….
Over a cup of tea!
30 Kasım Ayde Mori konseri
AYDE MORİ
Brenna MacCrimmon (vokal, makedon tamburası, ukulele)
Sumru Ağıryürüyen (vokal, mandolin)
Muammer Ketencoğlu (akordeon, vokal, bendir)
Orçun Baştürk (davul, vurmalılar)
30 Kasim Çarşamba, 20:00’deki Ayde Mori konseri için biletleri CKSM gişesi ve Küçükçekmece Kültür Sanat e-biletten alabiliyorsunuz.
www.cennetkultursanat.com >
Double bill with So Long Seven
This might be the last chance to see us in Toronto in 2016!
Double bill with our friends So Long Seven…
More details:
facebook.com/events >
April’s Poet Tree
A few new directions, these from Eric Satie.
Pleasurably, without shyness
Quite blue
Quiver like a leaf
Seriously but without tears
Tell yourself about it
Under the pomegranates
Weep like a willow
With amazement
With tears in your fingers
You see